Book-review post!

(And even more YA books!)

Julie Anne Peters – She Loves You, She Loves You Not
As Alyssa moves in with her estranged mother, who her father heavily implies is a prostitute, she reflects on her relationship with Sarah, the discovery of which has led to this exile. There’s a nice mix of family stuff alongside the relationship stuff, and it’s good to see a LGBT character for whom this wasn’t her first relationship, just the first serious one. Sarah is a little more problematic – the book does seem to take the ‘bisexuals are not to be trusted!’ line, which is pretty disappointing from a writer who’s done so much good stuff in terms of lesbian and transgender characters. Sigh.

Alex Sanchez – Boyfriends with Girlfriends
I didn’t read this immediately after the Julie Anne Peters book, but it may make sense to review it after, as it is one of very few YA books with bisexual characters who are actually ackowledged as such and aren’t presented as evil or promiscuous or indecisive or whatever. When Sergio and Lance go out on their first sort-of date, they bring along their female best friends to minimise the weirdness. Lance’s friend Allie has a boyfriend, but when she meets Kimiko – who identifies as a lesbian although she avoids relationships – they immediately hit it off, and Allie starts to question whether she might be attracted to her. Meanwhile, Lance has never quite believed that bisexuality is a real thing, until Sergio explains it to him. This feels like early gay YA, in a way – like it’s got so much to do about its subject matter, in this case bisexuality and questioning of sexual identity (without ‘picking a team’), before it can start being a good story. It feels a little shallow at times, and the shifting viewpoints can be a little confusing at times, but it does move along quickly and has a lot of nice moments.

Sarra Manning – Adorkable
Delighted to see Sarra Manning return to YA fiction with this clever, pop-and-nerd-culture-soaked she-said/he-said romance. Jeane is an internet superstar – celebrated as the voice of her generation, etc – while Michael is just the ordinary good-looking and nice and achieving-type boy at school. They don’t get along, but when their respective other halves seem to be sneaking around behind their backs, they get talking. And kissing. There’s a lot to love about this – the internet stuff is a little sketchy at times, but still compelling. Jeane is frequently irritating and obnoxious and yet somehow by the end of it very appealing. I do like that she’s sexy without undergoing some kind of magical makeover or ‘she was traditionally beautiful all along’ reveal – the sex parts in this book are so well done. (There is also a gorgeous moment where Jeane calls Michael out on the male tendency to call girls crazy just for having feelings. I wanted to applaud.) Really, really, really liked this book.

Sara Bennett Wealer – Rival
Kathryn and Brooke are the rivals of the title – both competing for a prestigious music prize. In their senior year of high school, they’re not speaking – but as we see their junior year, and their unfolding friendship, we begin to wonder just what happened to make them hate one another so much. This is a terrific look at competitiveness and female friendships.

Veronica Roth – Insurgent
The follow-up to Divergent sees Tris and Four deal with the repercussions of the attack and we learn much more about the factions – as well as the factionless – in this book. There’s plenty of action, but also plenty of the skilful emotional development of the characters and careful use of language that marked the first book. I’m very interested to see how the reveal at the end plays out in the third volume.

Donna Cooner – Skinny (via NetGalley)
In this Cinderella retelling, the heavily-overweight Ever undergoes gastric bypass surgery but still can’t get Skinny, the cruel voice telling her what everyone else thinks, out of her head. I found the motivations for undergoing the surgery slightly odd – her eating is represented very much as an emotional/psychological thing, tying in with her mother’s death, so it seems odd that doctors would be so quick to opt for the surgical option (there isn’t a huge amount about what else has been tried) – but it is good to see both the positives and negatives represented. The coming-out-of-one’s-shell is done well, though the romance plot is predictable. A good read but not one which lives up to the hype. Available October 2012.


Beyond red, black, and death…

Now. Don’t get me wrong, there are things I adore about the current wave of the red/black/death/vampire stuff in the teen sections of bookshops nowadays (Hodges Figgis actually has a separate section within their teen books for this stuff) – it is fantastic to see new editions of Christopher Pike’s The Last Vampire series, as well as some of his other books (Read them. Read them all.), and to see teen books doing well, but occasionally (as a writer and reader of realistic fiction) I get gloomy. So many vampires and werewolves and zombies and fallen angels…

I also know that for a lot of readers, the ones who’ve been reading all along (instead of suddenly discovering books exist, as so often happens when there are big bestsellers out there), it’s off-putting to feel like something as huge in scope as young adult fiction is being reduced to a couple of its current trends. It feels like all there is is the red/black/death stuff.

One of the great appeals of having books categorised by age is that it evens out the playing field in other ways. It’s basically having, in that one section of the bookshop, what would happen if all those General Fiction/Literary Fiction/Irish Interest/Fantasy/Horror/Crime/Science Fiction/Classics/Anthologies barriers dissolved. You do hear, more frequently than is really necessary, “oh, it’s written for teens, but actually it’s a really good book”, but at the same time that snobbishness and mentality cuts down on what people say about ‘adult’ novels, the “it’s just light reading but…” or “it’s just a thriller/crime novel/romance/page-turner…” stuff that people throw out to justify reading something they actually enjoyed reading.

So there is more to the teen section in bookshops, in books generally, than the red/black/death. Lots more. This would be the part where I start making suggestions….

Meg Cabot turns up in the black/red/death for her The Mediator series (originally published under Jenny Carroll), but The Princess Diaries books, though occasionally irritating, are definitely worth reading. But the best ones are the standalones (and I’m immediately going to contradict myself here, because there are two All-American Girl books, both brilliant), including Teen Idol, Tommy Sullivan Is A Freak and How To Be Popular.

Sarah Dessen writes love stories that go way beyond love stories, the kind of entanglements that happen when you’re not quite ready for them and yet need anyway, because of everything else that’s going on. Family looms large in Dessen’s books, as does summer – the long days of a different routine and pace, when you get that little bit closer to discovering who you are. Her latest is Along for the Ride.

Deb Caletti is another one writing what are ostensibly love stories and actually journeys of self-discovery. The supporting characters are always fleshed out, and there is always a sense of the narrators figuring out where they fit in the wider world, not just at school/home/in a relationship. Her latest is The Six Rules of Maybe, though you’re more likely to find Honey, Baby, Sweetheart or Wild Roses on this side of the Atlantic.

Abby McDonald writes smart, funny, feminist books. Life Swap is the best take on the ‘let’s trade lives! Fish out of water!’ plot I’ve seen.

Siobhan Vivian writes terrific, realistic, funny, compelling books about friendships and romances and creativity. Highly recommend her second novel, Same Difference; her third, Not That Kind of Girl, is out now.

E Lockhart writes funny, quirky, insightful books about teenagers. I can take or leave the Ruby Oliver books, but Dramarama and The Disreputable History of Frankie Landau-Banks are two of my favourites.

Sara Ryan, despite being very fond of and knowledgeable about fantasy and sci-fi, has written two of my very favourite contemporary YA novels – Empress of the World and The Rules for Hearts.

Adele Geras writes a number of different things, but when she writes realistic fiction, it is thoughtful and quiet and moving and stunning. Pick up silent snow, secret snow or the Egerton Hall trilogy (The Tower Room, Watching the Roses and Pictures of the Night).

Laurie Halse Anderson will blow you away. Speak is an extraordinary book about being a teenager and being afraid. Catalyst (even though I think Kate is a lot more right about things than the book gives her credit for) is another stunner about what happens when the life plan goes off-course. Prom is a fun Cinderella retelling; Twisted dissects the male teen psyche; Wintergirls is a modern day Persephone story about ghosts and eating disorders.

David Levithan has written several extraordinary books for teens, including the very brilliant Boy Meets Boy, the heartbreaking/heartwarming Marly’s Ghost, the thought-provoking Wide Awake and Love Is The Higher Law, and (with Rachel Cohn) Nick & Norah’s Infinite Playlist and Naomi & Ely’s No-Kiss List. Sharp, fast-paced, and sympathetic.

John Green gets a lot of love on the internets generally, but is being mentioned in this list anyway for smart and quirky realistic fiction – with (gasp!) male narrators. Why, realistic teen books for boys do exist after all! I have a particular fondness for An Abundance of Katherines, which has anagrams and a mathematical formula to predict break-ups.

Garret Freymann-Weyr writes exquisitely. She has written five YA novels and I can’t recommend just one, but if I had to it would be My Heartbeat. Or maybe Stay With Me. Or After the Moment. Or The Kings Are Already Here. Or When I Was Older. Hmm. The teen characters in these books are thoughtful and introspective, and the adult characters are consistently complex and compelling.

Jacqueline Wilson has written approximately ten bajillion books, for children and teenagers. Some of my favourites for older readers include Kiss, Dustbin Baby, My Sister Jodie, and the Girls quartet.

Sara Zarr writes about family and redemption of various kinds. Story of a Girl, about a girl who dreams of getting out of her small town and is still haunted by an early sexual encounter, is a moving read. Zarr’s most recent book, Once Was Lost, is about a reverend’s daughter and life falling to pieces around her one summer.

Donna Freitas‘s The Possibilities of Sainthood and This Gorgeous Game are two very different but equally compelling books about girls, love, obsessions, religion, and family.

Elizabeth Scott writes consistently readable fiction, mostly realistic, including The Unwritten Rule, Something, Maybe, Bloom, and my favourite Love You Hate You Miss You. Particularly worth noting is the way that parental relationships are always handled in an interesting way, rather than falling into either category of invisible/overbearing parents.

Julie Anne Peters writes teen fiction mostly LGBTQ-related, including the stunning Luna (dealing with transgender issues), Keeping You A secret (oh, Holland and Cece!) and Rage: A Love Story (intense/damaging relationships).

Melina Marchetta is a superb Australian author, whose Jellicoe Road and Saving Francesca are well worth checking out.

Gayle Forman‘s If I Stay has potentially fantastical elements, but it’s how real it all feels that makes it so moving.

Sally Nicholls writes mostly about death. Ways to Live Forever and Season of Secrets are often shelved for older readers for partly this reason, I think. Well worth reading, but do have tissues handy.

Rachel Vail understands the details of teen friendships, obsessions and feelings. Her books ring true. Particularly recommended are Ever After and You, Maybe.

Ned Vizzini‘s It’s Kind of a Funny Story is a terrific (and funny) book about depression and self-expression. This and Be More Chill are fantastic additions to the ‘realistic fiction for boys, should they want such a thing’ category.

Ellen Wittlinger‘s Hard Love and its sequel, Love & Lies: Marisol’s Story, are two amazing books about love, writing, and self-discovery. There are no easy answers or neat solutions: sometimes people get hurt, and quite often they don’t get what they want.

Kevin Brooks writes fiction that isn’t afraid to go dark. Lucas is one of my favourites.

Melvin Burgess wrote Junk and really, that’s all you need to know. ‘Gritty’ is a word thrown around a little too much, perhaps, but it definitely applies to Burgess’s realistic fiction for teens.

(For the sake of my own sanity, I’ve left recent debut authors with only a first novel out off the list. I know we got an extra hour today, but nevertheless…)


Book-post!

Another book-post! Shockingly up-to-date with these, which are mostly April and May reads.

Violet Haberdasher – Knightley Academy
Knightley Academy is pretty much as it says on the tin: an academy for knights. The twist is that in the alternate history, combat has been outlawed, so it’s a slightly skewed version of knighthood, involving diplomacy, chivalry, medicine, etc that the students at Knightley learn. Although some comparisons to Harry Potter are inevitable (new poor-yet-exceptional student at specialist school), the book works well. The world of the story is an intriguing one, too. (I remain amused by one of the reviews at Amazon which talks about the author’s Britishness – it is not exactly a secret that Violet is the alter ego of California girl Robyn Schneider, whose debut novel Better Than Yesterday also looked at the boarding school environment, but I digress.)

Erin Dionne – The Total Tragedy of a Girl named Hamlet
Hamlet is a girl called Hamlet, which is clearly tragic, and has a genius little sister who’s taking classes at her school. All of the family except Hamlet are strange and brilliant, and all Hamlet wants is to be normal. It’s a funny and realistic read, particularly on the matter of thirteen-year-old politics.

Ann M Martin – The Babysitters Club: The Summer Before
Okay. So. BSC sequel. It is not amazing. It is not particularly telling us anything we didn’t already know, because there are ten million books, including Portrait Books with flashbacks, but nevertheless… it’s still kind of exciting that there’s a new BSC book out. And a non-ghost-written one, at that. So, a general yay.

Beth Younger – Learning Curves: Body Image and Female Sexuality in Young Adult Literature
Non-fiction, if the title doesn’t give it away. Interesting look at, well, body image and female sexuality in YA literature (subtitles are so handy for summarising non-fiction texts). Nice balance of academic and readable.

Lauren Oliver – Before I Fall
Groundhog Day meets The Lovely Bones. Eighteen-year-old Sam dies – and wakes up to relive the day over and over. She’s popular and kind of mean, but also perceptive about how popularity works and happens, and the book, thankfully, has a lot more going on than just ‘selfish girl is taught a lesson’, which is nice. The supporting characters, including Sam’s three best friends, her boyfriend, her childhood friend, her younger sister, even the weird girl at school, are well-drawn, and the story moves along smoothly each day, with small changes rippling their way through, until the last day. It’s well worth reading.

Natasha Walter – Living Dolls
Another non-fiction one. The first half is a British answer/version of Ariel Levy’s Female Chauvinist Pigs; the second half, which is terrific, looks at ‘the new biological determinism’, that lovely charming ‘I know this will be shocking to the feminists and we’re being really daring by saying this, but actually men and women are different and science says so!’ vibe in the media as of late. I did a lot of nodding along enthusiastically (not so much that it’s cheerful stuff, mind you), particularly when she’s talking about science and how studies are represented. It always surprises me the absolute faith people put into “science” as though something has been absolutely “proven”, instead of realising there’s usually a collection of studies, some with biases of various kinds, and often not agreeing. But people believe what they want to believe – whatever science backs up the cultural need. It’s a good book, an important book. And Walter will be speaking at the Dublin Writers’ Festival this Saturday, if you’re interested.

Sarah Darer Littman – Purge
Janie finds herself hospitalised for her bulimia, after an incident at her half-sister’s wedding, and the story takes place almost entirely in the hospital, with flashbacks and journal reminiscing about the steps that led her there. There’s a teeny bit of a ‘ahaha, actually I’ve been keeping this from you!’ which partly works because of the narrative style, but might irritate some readers, but in general it handles the emotions, and the gruesomeness, of ED behaviour well – Janie purges into socks and throws them out the window, because bathroom breaks are monitored by the nurses. I was, however, intensely bothered by the section which overdosed on ‘lost my virginity’, ‘gave my virginity’, ‘took my virginity’ phrasing, which seemed to come out of nowhere. I agree with much of what websites like Scarleteen have to say on the matter of virginity; and that section of the book just did not work for me. It seemed to be assuming a whole lot about its readership, right there, and it makes me far less likely to read books by the author in the future.

Michael Cart (ed.) – How Beautiful The Ordinary
I actually read the bulk of this collection, which is a gorgeous anthology of LGBTQ-related short stories for teens, last year, but the last contribution (Gregory Maguire’s) is a novella and that delayed me slightly. David Levithan’s story is gorgeous, in that heartwarming-yet-not-vomit-inducing way that he has. Emma Donoghue’s story – a non-birth mother’s letter to the daughter she lost when the relationship with her mother dissolved – is terrific. Julie Anne Peters is on top form, as is Francesca Lia Block. There are stories told in comic format as well as straightforward text; the tales play around with format in interesting ways. Definitely worth reading.

David Levithan – Love is the Higher Law
And more David Levithan. This is a 9/11 and post-9/11 story, and it’s short but intense. It’s the first piece of fiction I’ve ever read or encountered relating to 9/11, having avoided films and such like, and not counting allusions, and it is interesting to see something that just looks at it, and the days and weeks immediately following, and from a teenage perspective.

Sarah Rees Brennan – The Demon’s Covenant
The second book in the trilogy focuses on Mae, she of the pink hair, slogan-y t-shirts, and love for brothers (whether they’re her own, the delightful Jamie, or those wacky Ryves brothers, Nick and Alan). As I said on twitter as I was reading it, “I know there’s magic & stuff in this book, but mostly I am noticing everyone flirting with everyone else.” The trilogy has so far, for me, been about seeing the nifty effect of magic and danger on the well-developed characters, and seeing the things you can do with that, rather than going ‘oh, shiny world, shame about the two-dimensional heroes’ as can sometimes be the case with fantasy or scifi.

Julia Hoban – Willow
Angst. Death. Misery. Willow’s life changed seven months ago when she drove her parents home from dinner one stormy night and was left an orphan. Living with her brother and his new family, she moves awkwardly in this new strange world where the idea of having ordinary everyday worries seems both pathetic and also incredibly desirable. When she meets Guy, and he discovers her secret cutting habit, she’s confronted with someone who cares about her, and makes it known. I am torn about this book – it’s wonderfully written, but there’s an uncomfortable element of knight-in-shining-armour-ness (even though Guy is far from perfect) in their relationship.

John Green & David Levithan – Will Grayson, Will Grayson
Green and Levithan’s styles mesh well in this collaborative novel, about two Chicago teens called Will Grayson, and what happens when their lives intersect. There is a high school musical (oh yes indeedy) and the scene-stealing Tiny Cooper, who is the best friend of one Will Grayson and the potential boyfriend of the other. I was fond of Tiny, but would have preferred more of a focus on the Will Graysons. Especially because Tiny is sweet, and all that, but, y’know, will grayson is depressed. And he is damn right to be annoyed that Tiny doesn’t get it. And has that heartbreaking moment where he talks about mental health days. Oh, will grayson. Tiny will be fine anyway, but what about you, hmm?

Maureen Johnson – Girl At Sea
Clio is seventeen and has a plan for the summer: working at the local art store where her crush, yummy Ollie, works, plus a discount on paints and such like. Hurray. But instead, her mother’s job takes her away to the middle of nowhere, and Clio ends up spending the summer with her dad on a boat sailing around Italy, which sounds like a fabulous idea in theory, but in practice means spending time with her dad, who has great and wild ideas but slightly disastrous decision-making and follow-through skills. It’s a fun read, there’s a historical backstory involving a mad tablet with a secret language, and there’s diving and tension and other good things.


Book-post!

Mentioned a while back that I’d probably be on 2009 books for a while, but perhaps they just need to get snippet-y reviews now (rather than snippet-y reviews later, when they’re even hazier in my mind).

Meg Cabot – Airhead: Being Nikki
Book 2 of the Airhead trilogy. I remember nothing of this book that isn’t spoilery, but suffice it to say that I am planning to read Book 3, and really enjoying the blend of scifi and chick-lit.

Lizzie Skurnick – Shelf Discovery
A collection of columns from the Fine Lines blog, which looks at books read as kids or teens, revisited from an adult point of view. I’d read most of the books discussed, and as soon as I stumbled across the book, I knew I’d enjoy it. I did – I love the critical-but-not-super-academic, fond-yet-mocking tone of the book recaps – even though it could have benefitted from more thorough copyediting. There is a moment where Ms Finney (we all remember Ms Finney from The Cat Ate My Gymsuit, right? Right?!) is given an incorrect first name (oh, here we go), and it distressed me slightly (because of course she turns up again in There’s A Bat In Bunk Five, referred to almost exclusively as Barbara). But at the same time I loved devouring a book that looks not just at Cormier and L’Engle and Paterson, but also Paula Danziger and Lois Duncan and Judy Blume and Francine Pascal and Julian F Thompson. Well worth reading.

Malinda Lo – Ash
Cinderella retelling, skilfully done. The world of the story is beautifully crafted, and in this version there’s no cheerful fairy godmother so much as there is the (as the blurb puts it) “the dark and dangerous fairy Sidhean”. He’s sort of delicious, but not nearly as lovely as the King’s Huntress, Kaisa. It works well as a dark fantasy, while also adding to the could-be-larger canon of lesbian/bisexual YA fiction.

Rachel Simmons – The Curse of the Good Girl
I really enjoyed Rachel Simmons’ first book, Odd Girl Out, when I finally got around to reading it, so I was interested to see this one. It looks at the problem of the ‘good girl’, the various things girls are expected to be and the ways in which this causes problems at school, in extracurriculars, and in the workplace. I’d read something fairly grumpy about this being yet another book blaming women for their own downfall, essentially, and there is something to be said for looking at why society-as-a-whole rewards and reinforces certain behaviour in girls and women, not just why girls and women behave in certain ways, but the emphasis is on seeing through the ‘good girl’ myth and moving past it. It’s aimed a lot at parents and to a lesser extent educators, and even though there’s nothing wildly radical about it, it does make a lot of interesting points and frames its argument well. One of my favourite non-fiction books of 2009.

Julie Anne Peters – Rage: A Love Story
Julie Anne Peters is always good, and though this isn’t my favourite of hers, I do love the way she’s moved beyond the standard-YA-lesbian-novel fare and looks at various kinds of complicated and troubled relationships. Well worth reading.

Ann M Martin – Main Street #8: Special Delivery
Oh, I love Ann M Martin. The Main Street series continues to be sweet but not saccharine reading, with this instalment concentrating on the arrival of Aunt Allie’s baby.

Maeve Binchy – The Return Journey
My main recollection of this book is reading it when away somewhere doing author visit-y stuff, so probably sometime last October for the BookFest. Lots of short stories, some better than others, but generally all with that warm Binchyesque feeling about them. Not quite 100% warm and fuzzy though – sometimes it’s just about how horrible or foolish people can be, as much as it is about things working out for the best.

Marilyn French – The Women’s Room
So I finally got around to reading this! And it has become one of my favourite books. It is jaded and true and lovely; the men are all rubbish and the women are slightly less so, and there’s so much unhappiness and unfairness for these smart women, these academically-inclined women, and even though so much of it is about the time that was in it, there is – as there almost always is in great feminist texts – a lot that is still relevant. Also, on a slightly more trivial note, a lot more lesbianism (or, well, pseudo-lesbianism, really) than I expected from it. So there’s that…

Elizabeth Scott – Living Dead Girl
Short, but powerful novel from Elizabeth Scott, who does creepy just as well as she does cheerful. This is about a girl who has been living in captivity for years, who has been abused, and who, when faced with the prospect of recruiting her replacement, may have an opportunity to find the strength to escape (or not). It’s not my favourite of Scott’s books (Love You Hate You Miss You wins that prize), but it is well worth the read.

Cathy Cassidy – Angel Cake
Typical Cathy Cassidy fare, leaving you feeling as though even though the world is often quite a crap place, for kids and adults alike, good things can and do happen. This one has as its central character the Polish-born Anya who’s just moved to England, and there’s a cake shop involved, which is always good – bring back that Blytonesque tradition of loving descriptions of food, I say.

Meg Rosoff – The Bride’s Farewell
Meg Rosoff writes beautiful beautiful books, though The Bride’s Farewell is not my favourite of hers. It’s interesting to see her take on the Victorian era, and there’s a lot going on (and all done in a subtle and also condensed way that is so different from the three-volume novel way of going about things), and it is good… but I was so spoiled by How I Live Now that I’m not sure anything after that will ever live up to it.

Melina Marchetta – Jellicoe Road
A very interesting book, one that starts off seeming like it’s going to be about ‘territory wars’ and inter-school rivalry and turns ever-so-gradually into something completely different. It’s a difficult one to summarise, but basically there are two stories running through it, and they’re interconnected (though it does take a while to figure out exactly how – it’s possible to make a reasonable guess but still not obvious), and things tie together in nifty and often unexpected (and often heartbreaking) ways. And that’s probably all I can say without ruining it.

Tom Dolby – The Sixth Form
Another of my ‘I wish I’d gone to boarding school!’ reads, the one concentrating on two boys in their senior year and the rather messed-up teacher who gets involved in their lives. One of those scenarios that fiction-writers love, I think. Good read.

Margaret Atwood – Murder in the Dark
Collection of short stories and prose poems, some of which I’d read before or skimmed before, so finally sat down to read the entire book. Like most things, a mix of good and bad, or in Atwood’s case a mix of super and so-so.

Catherine Orenstein – Little Red Riding Hood Uncloaked
Orenstein’s book looks at various takes on Little Red Riding Hood, from the late seventeenth century to the present, and explores the implications of the changes in each version, the ways in which fairy tales and folk tales are both fixed in some ways but also flexible and malleable, and covers a range of topics in the process. Worth reading if you’re interested in history, gender, fairytales, cultural studies, literature, etc (why yes, it was one of those ‘oh I must read this, it has everything!’ books for me).

Ellen Hopkins – Identical
A novel in verse, told by two very troubled identical twins, with much angst, eating disorder fun, and sexual abuse. And it gets utterly stunning for the last 100 pages or so – but that’s another case of ‘cannot explain why it is so good without ruining it entirely’.

Tara Altebrando – What Happens Here
YA novel about a girl who goes to Europe with her family, and comes back to a tragedy. To be honest, I totally did not get the direction that the book was going (though in retrospect it is heavily implied from the back of the book), so I spent most of it being shocked. But it’s good stuff – high drama, but very real in how it’s handled.

Louise Doughty – A Novel In A Year
This is a collection of Doughty’s articles, one a week, about writing novels, and is one of the most sensible books about writing I’ve ever come across – though to be fair there were moments where I went “oh no! No, you cannot say that never works for people!” (one such moment was I think to do with outlining/plots). But these were far outweighed by the “yes, yes, yes, that’s it exactly!” moments. It is pretty rare to come across anything about writing that’s new – but what you’re hoping for is someone who’s put something in a particular way, or articulated something you’ve always felt or known but never quite expressed. (Given that this is what a lot of writing in general is about, you’d think you’d get more of it from the ‘how to write’ books, but alas no.)

Elizabeth Berg – The Day I Ate Whatever I Wanted
Collection of short stories, with three of them looking at food in particular, and women’s relationship to food, but also looking at other issues. I like Elizabeth Berg’s work, though I think her novels appeal to me more than these pieces did. (Possibly this is to do with an ongoing uncertainty about short stories: to read them in a row, or dip in and out of a collection? And is it okay to skip a story and just go on to the next one? I haven’t quite managed doing that without feeling as though I’m somehow missing out on the overall experience, even though not all collections are themed or organised in a particular way.)

Ellen Emerson White – The President’s Daughter (series)
These were sort-of blowing me away, and then I read the fourth book, and was completely wowed over. (Spoilers in a vague, nothing-beyond-what-you’d-get-from-a-blurb way follow.) Meg and her family are a terrifically interesting bunch of people, flawed and smart and funny and brilliant. Her mother, the President, is one tough lady who loves her family but, well, is the President of the United States, and that’s the driving force of the series – how Meg’s life changes when her mother’s elected as well as everything that happens next – her mother’s shooting, and her own kidnapping. The fourth book takes place during Meg’s first year of college, and even though I completely do not get the romantic relationship (and trying to keep this non-spoilertastic, but honestly, if you’ve read it, you must have a sense that actually someone else who’s been there all along and, um, dresses super-stylishly is far more deserving of Meg), it didn’t bother me too much because there’s so much else going on. And I love the fact that Meg is actually a sexual human being! With attractions and desires and all the rest. So, generally good, but fourth book is fabulous – and handles a lot of issues without being An Issue Book but instead is just A Damn Good Read.

Holly Black & Cecil Castelucci (eds): Geektastic
Collection of ‘stories from the nerd herd’, ranging from role-playing to conventions to general fannish enthusiasms to having much obscure knowledge. The stories are interspersed with comic panels, which works well. As with most collections, the quality is mixed. I wasn’t a fan of the opening story, in which a Jedi and Klingon fall in love, and which was apparently the impetus for the entire collection, but your mileage may vary. I loved the story (‘One of Us’) in which a cheerleader gets the geekier kids in the school to educate her about nerdish/fannish culture and ends up enjoying it – not an overly radical concept, but handled really well. Cassandra Clare’s ‘I Never’ looks at what happens when role-players meet up and their real-world identities don’t quite match up to the ideal, and is another one of my favourites from the collection. There’s a story about a real-life Dawn with comparisons to BtVS’s Dawn, which works well. David Levithan’s story, about a quiz bowl team, is terrific, as expected (I like pretty much everything of his I’ve ever read). ‘The Stars at the Finish Line’ was another one that worked for me, which looks at astronomy. And even though Kelly Link’s contribution wasn’t one I utterly adored, it is one that sticks with me.

Whew. That does bring us up to the end of 2009, finally. Next week (in an ideal world): January and February reads.